SUBJECTS THAT FASCINATE ME

The Greenman's Forest
The Greenman's Forest

graphite, ink, watercolour, watercolour pencils

The Green Man or Foliate Face has fascinated me ever since my teens. It's a subject I have explored very little in my art but one that I think about often. I created this piece depicting the Green Man watching from its place of power (the forest) in response to a challenge from my youngest child: "Draw something from your mind Daddy." And so, I did.

Cro-Magnon Man, 17,000 years
Cro-Magnon Man, 17,000 years

ink

Neanderthal Child, 30,000 years
Neanderthal Child, 30,000 years

ink

Mandal Man, 12,000 years
Mandal Man, 12,000 years

ink

Neanderthal Woman, 36,000 years
Neanderthal Woman, 36,000 years

ink

G. J. Sawyer et al's book The Last Human: A Guide to Twenty-Two Species of Extinct Humans knocked me over when I first read it, but it was master sculptor Elisabeth Daynes' reconstructions of Homo Sapiens, Neanderthals, and other early human species that truly captivated me.

I encourage you to visit Elisabeth Daynes' website and explore the beautiful and lifelike reconstructions she created using fossil records and forensic technology. The ink drawings on the left are based on her reconstructions.

 
Stone Faces of Halifax
Stone Faces of Halifax

graphite, ink, watercolour

The subject of this piece is the stunning stonemasonry found around the city of Halifax. In Stone Faces of Halifax, I set out to draw four stone faces from four separate buildings or structures in the South End of the city. Three of those faces (Green Man, Mary Queen of Scots, Lion) were the work of the very talented Scottish born stonemason George Lang (1821-1881). The fourth face was designed by Canadian architect John Lyle (1872-1945).

The faces can be viewed on the following buildings:

  1. Halifax Provincial Court, Spring Garden Road (Green Man)

  2. Queen of Scots Inn, Queen Street (Mary Queen of Scots)

  3. Scotia Bank Head Office, Hollis Street (Foliate Face of Abundance)

  4. Welsford-Parker Monument, Barrington Street (Lion)

 
S. Solem's Tomten with Lantern
S. Solem's Tomten with Lantern

ink, watercolour

H. Wiberg's Tomten Ink Study
H. Wiberg's Tomten Ink Study

ink

Tomten 3
Tomten 3

ink, water-soluble markers

Tomten 4
Tomten 4

ink, watercolour

H. Wiberg's Tomten
H. Wiberg's Tomten

marker

H. Wiberg's Tomten
H. Wiberg's Tomten

ink, watercolour

K. Midthun's Tomten, Bird, and Egg
K. Midthun's Tomten, Bird, and Egg

ink, watercolour

J. Nystrom's Tomten with Porridge
J. Nystrom's Tomten with Porridge

ink, watercolour

In early December Tomtens invaded the house. Not literally; there were no small dwarf-like and gnome-like creatures running amok in the days leading up to Christmas, but we did become fascinated with the little people. My youngest, who has always been a huge fan of Astrid Lindgren and Harald Wiberg's book The Tomten, asked if we could leave out a bowl of porridge with butter for our house Tomten (a test to see if we did indeed have one in the house) and sure enough most of the porridge was eaten!

Our fascination grew quickly, and I started to sketch and draw the Tomten with Swedish artist Harald Wiberg's archetypal Tomten as my influence. On the left you will find other Tomtens, all taken from the works of Swedish artists John Bauer and Lennart Helje, as well Norwegian artist Kjell Midthun.